2/29/2008

Stellastarr* @ great american

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The Walkmen @ the independent

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Pictures of the past Noise pop

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Roky Erickson 2007

Joanna

Joanna Newsom 2005

Louis XIV

Louis XIV 2005

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The Fiery Furnaces 2004

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Kieran Hebdan 2006

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The Dandy Warhols 2007

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Giant Drag 2006
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2/28/2008

Noise Pop Interviews

This year in Noise Pop is like a rebirth. Many of these bands were featured on The Portable-Infinite in the past years. Check out the early interviews:

  • The Walkmen

  • West Indian Girl

  • Stellastarr*

  • Cursive

  • British Sea Power


  • mariqueen maandig reznor
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    2/27/2008

    Noise Pop 2008

    WEDNESDAY - 2/27
    Three Ring Records presents
    Happy Hour at Noise Pop Headquarters
    with: Music For Animals, Solar Powered People, Jub
    THEE PARKSIDE
    5:00PM - 8:00PM FREE
    Sights of Sounds Works of art from the music community
    PARK LIFE STORE
    7-10pm FREE all ages
    tickets
    Noise Pop Film Festival
    Presented by SF Sketchfest
    HECKLER
    Roxie Theatre
    7pm $10 Q&A Following screening with Jamie Kennedy and director Michael Addis
    tickets
    Noise Pop Film Festival
    Presented by SF IndieFest
    WHAT WE DO IS SECRET
    Roxie Theatre
    9:15pm $10 - Q&A following screening with Shane West and writer-director Rodger Grossman
    tickets
    Party HARHAR Hardy presents:
    an evening of Comedy with:
    Dragon Boy Suede, Beth Lisick and Tara Jepson, Bucky Sinister, Kevin Munroe, Ali Wong, Anthony Bedard (host) + musical guests Dr. Abacus!
    12 Galaxies
    8pm/pm $10 all ages
    tickets
    Minipop
    with: West Indian Girl, Two Sheds, Trophy Fire
    Bottom of the Hill
    7:30pm/8:30pm $12 all ages
    tickets
    THE ENTRANCE BAND
    with: The Mumlers, honey.moon.tree., Golden Animals
    Cafe Du Nord
    8pm/9pm $14 21+
    tickets
    The Walkmen
    with: The Broken West, Nyles Lannon, A Modern Machine
    The Independent
    7:30pm/8:00pm $18 21+
    tickets
    QUASI
    with: Little Ones, peoplepeople, The Minor Canon
    RICKSHAW STOP
    8:30pm/9pm $12 all ages
    tickets
    Fu Manchu
    with: Saviours, ASG, Orchid
    Slim's
    7:30pm/8:30pm $17 ALL AGES
    Italians Do It Better In San Francisco Party
    Noise Pop After Party
    with: DJ Mike Simonetti
    Harlot (46 Minna Street)
    10:00PM - 2:00AM $5 FREE FOR BADGE HOLDERS
    THURSDAY - 2/28
    Presented by ASCAP
    Happy Hour at Noise Pop Headquarters
    With: Anticon DJ's Odd Nosdam & Jel
    THEE PARKSIDE
    5:00PM - 8:00PM FREE
    Happy Hour at The Diesel Store
    DJ sets by: Spiritual Lee (Immigrant), Sean Moeller (Spinning Daytrotter sessions), Two Gallants
    The Diesel Store (101 Post St.)
    6:00PM - 9:00PM FREE
    tickets
    Rebel Reading Series and Wholphin Present
    Noise From Other Rooms A Revealing Evening of Words and Cultural Ephemera
    12 Galaxies
    7pm $5 all ages
    Pictures of Me: Rare photographs of Elliott Smith by Autumn de Wilde
    Queen’s Nails Annex
    7-11pm FREE all ages
    tickets
    FADER presents
    Blitzen Trapper
    with: Fleet Foxes, Here, Here, Sholi
    Bottom of the Hill
    7:30pm/8:30pm $12 all ages
    SOLD OUT - BUY BADGE
    The Dodos
    with: Or, the Whale, Bodies of Water, Willlow Willlow
    Cafe Du Nord
    8:00pm/9:00pm $10/$12 21+
    tickets
    Stellastarr*
    with: Birdmonster, Throw Me The Statue, The Hundred Days
    GREAT AMERICAN MUSIC HALL
    7:00pm/7:00pm $18 ALL AGES
    SOLD OUT
    The Magnetic Fields
    with: Interstellar Radio Company
    Herbst Theatre
    8PM (BADGES NOT HONORED AT THIS SHOW - MUST HAVE TICKET)
    tickets
    Kelley Stoltz
    with: Grand Archives, The Morning Benders, The Weather Underground
    The Independent
    7:30pm/8:00pm $14 21+
    tickets
    Presented by SF Sketchfest
    Human Giant
    with: Magic Bullets (closing), Voxhaul Broadcast
    Mezzanine
    8:00pm $20 (seated) - $15 (General) 21+
    FRIDAY - 2/29
    Presented by Sonicbids
    Happy Hour at Noise Pop Headquarters
    with: The Don'ts, The High Violets, The Union Trade
    THEE PARKSIDE
    5:00PM - 8:00PM FREE
    Happy Hour at The Diesel Store
    DJ sets by: Scissors for Lefty, Film School, stellastarr*, DJ Omar (Popscene) Acoustic Set by: Port O'Brien
    The Diesel Store (101 Post St.)
    6:00PM - 9:00PM FREE
    9:15 tickets
    7pm tickets
    Noise Pop Film Festival
    Presented by SF IndieFest
    WESLEY WILLIS'S JOY RIDES
    ATA
    Two screenings 7pm & 9:15 $8 Q&A following both screenings with Jello Biafra and director Chris Bagley
    SOLD OUT - BUY BADGE
    The Mountain Goats
    with: Jeffrey Lewis and the Jitters, OKAY, Aim Low Kid
    Bimbos
    7pm/8pm $18 18+
    SOLD OUT - BUY BADGE
    Holy Fuck
    with: A Place to Bury Strangers, White Demin, Veil Veil Vanish
    Bottom of the Hill
    8:30pm/9pm $10 all ages
    SOLD OUT
    The Magnetic Fields
    with: Interstellar Radio Company
    Herbst Theatre
    8pm (BADGES NOT HONORED AT THIS SHOW - MUST HAVE TICKET)
    tickets
    Helio Sequence
    with: Film School, The Builders And The Butchers, Built for the Sea
    The Independent
    8:30pm/9pm $14 21+
    tickets
    The Rosebuds
    with: Working for a Nuclear Free City, Foxtail SomersaultArt Show by CreativeMindsSF (a collective fine art exhibition featuring emerging Bay Area artists)
    MEZZANINE
    7pm/9pm $15 21+
    tickets
    Cursive
    with: Darker My Love, Judgement Day, The Blacks
    Great American Music Hall
    7:30pm/8Pm $18 all ages
    tickets
    FADER presents Electropop with:
    Wale
    with: Trackademicks, Nick Catchdubs
    Mighty (Curated by blast Haus)
    9Pm - after hours $15/$20 21+
    SATURDAY - 3/1
    Noise Pop Expo - Education Session
    12 Galaxies
    12pm-5pm FREE all ages
    Presented by Indie Pop Rocks! on SomaFM
    Happy Hour at Noise Pop Headquarters
    with: Audio Out Send, Excuses For Skipping, Buddy
    THEE PARKSIDE
    5:00PM - 8:00PM FREE +free sushi provided by blowfish!
    Happy Hour at The Diesel Store
    DJ sets by: Vin Sol, Delta Spirit, The Virgins Acoustic Set by: The Morning Benders
    The Diesel Store (101 Post St.)
    6:00PM - 9:00PM FREE
    tickets
    Noise Pop Film Festival
    Such Hawks, Such Hounds
    ATA
    2pm $8 Q&A following screening with director John Srebalus & Billy Anderson
    tickets
    Noise Pop Film Festival
    YOU WEREN'T THERE: A HISTORY OF CHICAGO PUNK 1977-1984
    ATA
    4pm $8 Q&A following screening with directors Joe Losurdo and Christina Tillman
    SOLD OUT - BUY BADGE
    Gutter Twins
    with: Great Northern, Monotonix, Apache
    Bimbos
    7pm/8pm $18 18+
    SOLD OUT - BUY BADGE
    British Sea Power
    with: 20 Minute Loop, Colour Music, Off Campus
    Bottom of the Hill
    8pm/9pm $14 21+
    SOLD OUT - BUY BADGE
    The Mountain Goats
    with: David Dondero, Tulsa, Conspiracy of Venus
    The Independent
    8:30pm/9pm $18 21+
    tickets
    Port O'Brien & Delta Spirit (co-headline)
    with: What Made Milwaukee Famous, The Mayfire
    CafÈ Du Nord
    8pm/9pm $10/$12 All Ages
    tickets
    Puma and Fader present Electropop with:
    MSTRKRFT
    with: LA Riots, Lazaro Casanova, Sleazemore
    Mighty (Curated by blast Haus)
    9Pm - after hours $15/$20 21+
    tickets
    The Virgins
    with: Airborne Toxic Event , The Blakes, Man/Miracle
    MEZZANINE
    8pm/9pm $12/$15 21+
    tickets
    Presented by KALX
    Panther
    with: Immigrant, Wallpaper, Distraction Fit
    Rickshaw Stop
    8:30pm/9pm $10/$12 all ages
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    2/22/2008

    KEREN ANN INTERVIEW



    KEREN ANN interview
    By Alexander Laurence

    Keren Ann is a talented songwriter that has worked on numerous projects and
    has released five solo albums. She was born Keren Ann Zeidel in Israel, and
    later lived in the Netherlands and France. She worked with Benjamin Biolay in the
    early days and created two albums with him: La Biographie de Luka Philipsen
    (2000) and La Disparition (2002). At this time her albums were only sung in
    French. Her first album with English lyrics was Not Going Anywhere (2003). Also
    in 2003, she did the Lady & Bird album with Bardi Johannson, of Bang Gang. She
    broke away from the collaborations and produced her first real solo albums
    with Nolita (2004) and Keren Ann (2007). Keren Ann has traveled worldwide and has
    now, in early 2008, embarked on her biggest American tour ever. I got to talk
    to her at the beginning of the tour with Dean & Britta (of the band Luna).

    AL: Where are you now?

    Keren Ann: I am in Toronto right now. We were in Montreal last night. Then we
    go to Chicago.

    AL: Some people don’t like to tour in the middle of winter.

    Keren Ann: Yeah. You can tour in Spring in a van. In a tour bus you can be
    quite comfortable. It’s a different tour. You can bring all your belongings. You
    can eat all the time.

    AL: What do you bring with you on tour?

    Keren Ann: Basically I have a few books and a few DVDs. Sometimes I bring
    nothing and buy those things when I am traveling around. Usually that is what I
    do.

    AL: I saw you play three years ago with A Girl Called Eddy. Have you been on
    tour all this time?

    Keren Ann: Yeah. There have been a lot of tours. I have been on tour since
    this past April. I have long breaks in between. I did North America, then
    Europe, then a small tour or Europe, then another part of Europe, and then the USA
    again. I am going to Europe again, then South America and Asia. I like doing
    intense tours for three weeks, and then going home for two weeks. I like going
    to North America and France. There are certain regions of France that have
    great wine. Every place has its own charm. You have to be open and look for it.

    AL: Since you have been on TV in France, and not so much in America, do you
    feel like you have to play more in America?

    Keren Ann: It’s been pretty much the same. You need patience. You start with
    thirty people in a venue. Then it grows into a hundred, three hundred or a
    thousand. Sometimes a bit more. You need patience. I have toured just as much in
    France as the rest of the world. You need a hit on the radio. If you don’t you
    have to be constantly touring. I am not on the radio in France either.

    AL: You have a few songs on TV shows in America. Does that help?

    Keren Ann: Everything helps. What you do is build a fanbase and not thinking
    about it too much. Just work and make records. Make the music you love. You
    are in this business because you are a writer. In my case I also love the
    production part. Anything to do with sound and orchestration is also an obsession. I
    do the job that I love to do and then I tour with it. You can focus on TV and
    the radio. You can make concessions. Or you could not think about it, and
    tour and make records, and your life can be really good.

    AL: What about Benjamin Biolay? He was involved on the first two albums, but
    not so much after that. What happened to him?

    Keren Ann: We used to write together for tons of people and artists. At some
    point you keep writing the same song over and over again. You come to a point
    where you have done together what you wanted to do musically, and you want to
    go into another direction. I wanted to go into sound and production. I wanted
    to write my own stuff. He wanted to work with other artists. I had no interest
    in that. I have already done that. I worked with this British actress, Sophie
    Hunter. It was a great experience.

    AL: What do you think of Charlotte Gainsbourg? There was much written about
    her and then she disappeared. She never did any shows.

    Keren Ann: She is actually an actress. She is a fantastic actress. She sings
    like an actress. When you don’t sing your own stuff, you sing like you are in
    theater or movies. Making a record for her is like being in a movie. It’s not
    like her life revolves around the music and the songs. It’s not her life she
    is putting out there. It’s a part of her personality. She is doing it very
    well.

    AL: When I have seen you play you had different musicians. One time it was a
    trio. You had the guy from Polyphonic Spree playing French Horn. Another time
    it was just you playing solo. Another time it was a duo.

    Keren Ann: For this tour it will be a trio: there is drums, bass and guitar.
    There are three of us. I like to change it up. When I do the record, it is
    made for the record. It is like doing a film for the year. You want it to sound
    great in ten years. You work very differently when you make the record. When
    you are onstage you want to explore the stage. You have many different
    ingredients. There is the venue, the audience, and the mood you are in that day. You
    have the interaction you have with the musicians that you choose. It’s nice to
    be able to give your songs different designs every time.

    AL: How do you start to write a song?

    Keren Ann: You can’t really explain it. There are so many ways to write a
    song. You can come up with lyrics and melody and they go well together. You
    finish the song. You want to make it into a song with verses and choruses. You
    choose a beat. You choose an arrangement. You can also say that you have written
    some poetry and then you are creating a mood and giving it some physical form.
    There is not one way of writing a song. It’s the wrong way to look at it
    because writing a song is something instinctive. You have to love writing a song
    and architecture. You have to give it a form. You have to understand also that
    certain melodies will give an attitude and a mood. If you change a bit of the
    lyrics or the phrasing, it becomes a whole other atmosphere. It is my job to
    create a sonic landscape. I like to create ambiance and atmosphere. The writing
    is the intimate part of it. It is a sketch. The production is the whole
    painting.

    AL: Were any songs on the new album a result of a quick inspiration? Was the
    original idea for the song not too different from the end result?

    Keren Ann: I had both. I had songs that came out really fast, melody and
    lyrics. I would write a little of the song, go to sleep, wake up and finish the
    rest of the song. Some of those songs were “Where No Endings End,” and “The
    Harder Ships of The World.” All I had to do was produce them with the same
    ambiance, or atmosphere, that I had imagined them visually. I had an idea, and I had
    to get to this idea, without changing it by the production. There are some
    songs that took more time. These songs depended more on sound and production. I
    did more exploration. On one album I need the balance of all ways of making
    songs. I need a prefect balance of melodies, lyrics, sounds, and production. If
    a song is too luminous in terms of the melody, the lyrics will often have a
    more sober side to them.

    AL: Is there any humor in your music?

    Keren Ann: No. I like songs with melancholy. I like songs with beauty and
    deepness. I am not a sort of person who listens to anything funny. I do not enjoy
    songs with cursing in a cheap funny way. The first thing about a song is that
    it has to be real, be lived; it has to be emotional, and melancholic. I don’t
    mean sad. Melancholy is sort of a comfort. Melancholy has a sort of beauty to
    it. This attracts me to every other form of art, like cinema. I like to laugh
    at things like South Park, but I don’t think there is anything like South
    Park in music, unless it is parody.



    AL: Do you buy a lot of guitars and gear?

    Keren Ann: Yeah I like guitars. I like to choose ones with different sounds.
    I have a new Gibson guitar for this tour. You saw me with the Gretsch before.
    I rarely tour with the 1967 Chet Atkins Gretsch anymore. It is very precious.
    You can’t carry it around on tour. I keep it at home. I keep it only for
    recordings now. I used to tell myself that this guitar needs to be played but I
    changed my mind about that. You want to take care of those guitars. I usually have
    one favorite guitar. Right now it’s my Martin Acoustic. I have an Epiphone
    too. I am a gear freak. I am a nerd when it comes to technology. I like
    pre-amps, compressors, and old microphones. I like the mixture of analog and digital.
    I work with Pro Tools. I like to play around. You can travel with hard drives
    today. You can have your songs in progress with you. I worked on a project
    with a choir, and then I booked them another day to work on one of my songs. I
    have a good recording studio at home. I usually start things in a studio then
    take them home.

    AL: You mentioned that you have some books with you on tour. Are there any
    writers that have inspired you?

    Keren Ann: Right now I am going into modern Israeli writers. I started
    reading in Hebrew, which I haven’t done in many years. I am reading books in Hebrew,
    that I have read previously in English or French. I would recommend a great
    abstract Israeli writer named Etgar Keret. He has done amazing work for the
    past ten years. I like Amos Oz. I am also reading some classics like Ray
    Bradbury. I am reading The Martian Chronicles.

    AL: Do you have any favorite artists?

    Keren Ann: I am inspired by the Impressionists. I am totally into Rembrandt,
    Van Gogh, and Paul Cezanne, and Chagall. I like many artists in the 20th
    century. There are some amazing contemporary photographers. There is the work of
    Elinor Milchan (elinormilchan.com). She is fantastic. She has a series of
    photographing light. She does research with everything to do with light photography.
    How to catch certain colors in the light. It’s quite impressive. There is a
    Hebrew painter Rughi Helbitz. With contemporary art you have to know yourself
    very well. You can be disappointed with so much crazy stuff that doesn’t get to
    you and you don’t understand. It’s doesn’t seem to be emotional and you just
    give up.

    AL: How does spirituality enter into your work?

    Keren Ann: I think spirituality is very important. The most important thing
    with spirituality is to know your beliefs and to stick to it. To be open to a
    live tradition. To not go by a nationality or a religion. I came from a
    traditional but not a religious family. We get together for a dinner once in a while,
    but we don’t pray. I pray in my own way and I have my own way of believing.
    You should be able to find your identity first, without nationality or rel
    igion, and once that is solid, you can have any belief that you like.

    AL: Are there any bands that you like?

    Keren Ann: The people who influenced me ten years ago still influence me
    today. But with this album, I got more into listening to contemporary pop
    classics. I listened to a lot of Philip Glass and Steve Reich. I was listening to
    repetitive music and writings for choirs. I have been to choir music. I learned in
    a very soft and emotional way to listen to repetitive music and find the
    beauty of it. I believe that the beauty of repetition is something that is not
    explored enough yet.

    AL: Some of that music is psychedelic.

    Keren Ann: I agree. Psychedelic is definitely a good word for it. Some people
    think it’s trance music, but there is always an aggressive connotation with
    trance music. I think music has the power to be beautiful no matter what state
    you are in.

    AL: What is going on with the Lady & Bird project?

    Keren Ann: We still do tons of stuff. We have done music for documentaries.
    We haven’t done another studio record. We are doing this big thing in June 2008
    in Iceland. We are working with an Icelandic orchestra. We are working with
    an eighty-piece orchestra. We are doing something separate and something
    together.

    AL: Did you tour as Lady & Bird?

    Keren Ann: What we did was play a show once or twice a year at a church
    somewhere in the world, with a choir.

    AL: What should people expect on this new tour?

    Keren Ann: I will be playing songs from the last three records. We are
    playing for an hour. We are playing with Dean & Britta. It’s fun. I am enjoying this
    tour.

    AL: Were you a Luna fan?

    Keren Ann: I met them in New York. I was playing at Sidewalk Café. They
    brought me a record. I thought they were fantastic. We kept in touch over the
    years. I never got to see a show of theirs in New York. I was out of town or
    playing a show. I think it is good match.

    Website: www.kerenann.com
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    2/15/2008

    Playlist






    Music Is My Boyfriend PLAYLIST

    Playlist 2/14/08

    Blondie "Dreaming"
    The Pretenders "Mystery Achievement"
    Hot Chip "Ready For The Floor"
    Vampire Weekend "Mansard Roof"
    Klaxons "Golden Skans"
    The Normal "Warm Leatherette"
    The Kills "URA Fever"
    Hecuba "Peace & Money"
    Frank Zappa & The Mothers "Uncle Bernie's Farm/Son of Suzy Creamcheese"
    Joy Division "Transmission"

    Blonde Redhead "En Particulier"
    Goldfrapp "A & E"
    Echo and The Bunnymen "Back of Love"
    Roxy Music "Love Is The Drug"
    The Stills "Still In Love Song"
    Raveonettes "Love In A Trashcan"
    Psychedelic Furs "Love My Way"
    Richard Hawley "Valentine"
    Vampire Weekend "Mansard Roof"

    Andrea's Set: Rakes, Suede, Pulp, Redd Kross, Jackson Five, Supremes, Sunshine Underground, Babyshambles, Nany Sinatra, and more....

    Me again:

    Jean Knight "Mr. Big Stuff"
    The Coral "Who's Gonna Find Me"
    George Harrison "My Sweet Lord"
    The Rapture "Get Myself Into It"
    LCD Soundsystem "Disco Infiltrator"
    BRMC "Stop"
    Interpol "Obstacle 1"
    Dandy Warhols "We Used To Be Friends" remix
    Annie "Crush"
    Bat For Lashes "What's A Girl To Do?"

    Ladytron "Softpower"
    Kraftwerk "Pocket Calculator"
    Iggy and The Stooges "Shake Appeal"
    The Sweet "Fox On The Run"
    The Hives "Tick Tick Boom"
    The Horrors "Count In Five"
    The Go! Team "Grip Like A Vice"
    New Young Pony Club "The Bomb"
    Love and Rockets "Ball of Confusion"
    Clinic "If You Could Read Your Mind"

    The Subways "Rock and Roll Queen"
    Kim Wilde "Kids In America"
    Bowie "Scary Monsters"
    Bauhaus "In The Night"
    Wire "Outdoor Miner"
    Adult "Glue Your Eyes Together"
    The Knife "Silent Shout"
    Fujiya & Miyagi "Ankle Injuries"
    The Moody Blues "Nights In White Satin"
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    2/14/2008

    Tonight: music is my boyfriend

    Music IS MY BOYFRIEND: the monthly club
    the monthly downtown LA party for music lovers

    Thursday, February 14, 2008 at 9:00pm

    Bar 107
    107 West 4th Street @ main
    Los Angeles, CA

    Music is my boyfriend and the Portable Infinite bring you a happy night of love and passion at Bar 107 on Valentines Day.....

    No need to bring a partner if you have a good song. It's another amazing night of NEW MUSIC in Downtown LA. It happens the second TUESDAY of every month. DJs Alexander Laurence and Andrea Sutterfield

    Alexander Laurence (aka The Portable Infinite)
    CELEBRATES VINYL and the year of light
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    2/13/2008

    Blood Red Shoes


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    2/10/2008

    TONIGHT: music is my infinite

    New Wave High School
    Sunday, February 10, 2008 at 9:00pm

    Charlie O's
    501 South Spring Street @ 5th street
    Los Angeles, CA

    Music is my boyfriend and the Portable Infinite bring you the new night of music at Charlie O's: NEW WAVE HIGH SCHOOL class of 08

    Remember when you had a killer do? Remember when you fell in love with a song? Remember when you went to high school with The Strokes and Blondie and B52s and the dude from LCD Soundsystem? Neither do we, but it would be an awesome dream if that did happen. It's another amazing night of NEW MUSIC in Downtown LA. It happens the first SUNDAY of every month. DJs Alexander Laurence and Andrea Sutterfield

    Alexander Laurence (aka The Portable Infinite)
    CELEBRATES VINYL and the year of light
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    2/07/2008

    HECUBA

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    HECUBA interview
    By alexander laurence

    Hecuba is a new band based in Los Angeles. It is an exciting duo composed of
    Isabelle Albuquerque and Jon Beasley. They are named after a play by
    Euripides. They combine hiphop beats with exotic sounds, and storytelling and theater.
    Recently they got to open some shows for Devendra Banhart. Some audiences were
    shocked to see Hecuba’s brand of art rock. All the time they see themselves
    as a pop group. Some songs have already been on a compilation, like “Peace &
    Money” and “Sir” is on Myspace. The new EP is coming out in April 2008 on
    Maminal Vinyl. They are a band that should be making some waves this year. Finally
    here is a band that is part Bowie and part Nina Simone.

    They will be playing a show in LA on March 24th, at Bordello.

    ****

    AL: I am here talking with Isabelle and Jon from Hecuba. I heard that Jon has
    a film background. That you met while making some of these films. Can you
    talk about that?

    Jon: Yeah. I was making movies and art. At the time I was making a movie for
    a gallery in Chicago. When I met Isabelle I was casting that movie. That was
    the first project that we worked on. We started in a film way rather than a
    music way.

    AL: What were your films like?

    Jon: I made several films. They were art films that I made for art galleries.
    They were very short. I was doing art for a long time. The film I did with
    Isabelle was about an alien abduction.

    AL: Isabelle, did you go to art school too?

    Isabelle: No, I was doing a lot of acting and film stuff when I first met
    Jon. We were both always making music. When we came together it became the main
    deal.

    AL: What were some of your previous bands like?

    Jon: I was in some bands when I was a kid. I was in some hardcore punk bands.
    For many years I made music that never saw the light of day. For Isabelle, it
    was the same thing. We were working on our own solo projects for a long time.

    Isabelle: We did this one band called Aldiss. It was a sci-fi thing. It was
    like a movie.

    AL: Brian Aldiss was the writer who worked with Stanley Kubrick?

    Isabelle: Exactly. He wrote that film Artificial Intelligence.

    Jon: We were inspired by him and we named the project after him. It was a
    sci-fi pop opera. It was a crazy thing we made.

    Isabelle: It was really cool. But I think that we needed a whole orchestra
    and a bunch of other things to do it. That was the first thing that we started
    with.

    Jon: That was the first thing that we decided that was an official project.

    (laughter)

    Isabelle: It was pretty hilarious but serious too.

    AL: What are some of these other things on Myspace? There is Dirty A and then
    there is Haz-m.

    Isabelle: You found Dirty A? It’s a secret. I don’t know how you found that.
    Haz-m is amazing. Haz-m is like an alter ego of Jon’s. He does these shows
    with dancers. It’s pretty wild. I have never seen anything like what they do.

    AL: You already have a side project?

    Jon: Since we started Hecuba we decided to do these others things. Haz-m is
    like a hiphop show. There is rapping and music and there is dancing. I work
    with this dance group called Hysterica Dance Company (hystericadance.com). We
    work with some dancers from that group on these Haz-m shows.

    Isabelle: My sister Jasmine is a dancer too.

    Jon: I did that originally as a side project. Once I did it to open for
    Hecuba a few times.

    AL: Did people notice that you were in both bands?

    Isabelle: Didn’t you change your hat?

    AL: When I think of Hecuba, it’s just not some band presenting some songs. I
    think of it more as a theatrical experience.

    Isabelle: The live show is a little bit different from the recorded stuff. We
    work with some pretty amazing artists. We play with Justin Dicenzo who plays
    Koto Harp, Trombone, and Bass, and pretty much everything. We also play with
    Eric Layer who is a multi-instrumentalist. When we play with them things get
    very different.

    Jon: That is a huge part of our shows. We don’t really do a regular show. We
    do wild shows.

    Isabelle: Hopefully they will get wilder.



    AL: How was it playing with Devendra Banhart? He has built up this following
    over the past five years. You are a new band. People might not have heard of
    you. They are going “Who is this?”

    Isabelle: It was really cool. People were surprised. It was amazing for us to
    do that tour. We are doing something different from Devendra, so every night
    we had to win them over.

    Jon: Every night we would come out and the audience is “What the fuck is
    this?” It was good for us to win them over every night.

    AL: Some of those shows were in very large venues. It’s not like you are
    playing some small indie venue for fifty people.

    Isabelle: We played at the Orpheum Theater. It’s the most beautiful place
    ever. We played all these beautiful places every night. What the hell! It was
    crazy. We were so excited. People thought we were a little weird.

    AL: At the Orpheum there was a riot at the show. Everyone jumped onstage
    during Devendra’s show.

    Isabelle: Yeah. That was one of my favorite nights ever. I don’t know what
    happened. I remember one kid was yelling and then, another kid was yelling. They
    called the fire marshal. The whole stage was shaking. I remember Devendra
    going “What? We can’t dance?” There were hundreds of kids on the stage. Devendra
    was like “Bring It On!” It was so good.

    Jon: I thought the floor was going to fall in.

    AL: How do you write the songs in the band?

    Isabelle: It’s different every time. Jon plays all the instruments on the
    recording. I don’t play any instruments. We do write songs together. Sometimes I
    will write a song or Jon will write a song, and we will keep to it.

    Jon: Even when we do that, we bring in a song, and it changes, and it becomes
    something different from what we would do on our own.

    AL: You have played as a duo and with others. How do you decide who plays
    with you?

    Isabelle: The band has changed a lot. We have worked with a lot of different
    people. It’s been like an ensemble. But for a while now Justin and Eric are
    our main guys.

    Jon: They are the mainstays. They are incredible musicians. We found two guys
    who can do something that other people can’t do. We do tailor the songs to
    all of our strengths. We try to do the best live show and the best recordings.
    They come out totally different.

    Isabelle: The live show has changed too. Up until now we have done it
    completely live, but now we are adding some synths and electronics. I am excited to
    get into more dance music. We change with every show.

    AL: You have always listened to music from the Middle East and Africa. When
    did you get into that?

    Isabelle: My family is from Tunisia. My great grandmother was an Arabic
    singer in the 1920s. That was something that I always listened to around my house.
    I always loved that. When Jon and I met, we used to go to the New York
    Library. We really got into the world music collection.

    Jon: That was a jumping off point. We wanted to make music outside pop music
    and Western music. Those made us think about music differently. Those
    influences have moved into the background.

    Isabelle: In Tunisia, the men and the women were really separated. Each woman
    had her own rhythm. When someone played a song, they knew that it was that
    certain woman’s rhythm for dancing. There is a lot of dancing.

    AL: A lot of that music is different from the western music that is a
    standard 4/4 type of rhythms.

    Isabelle: We have a friend in band called Lion of Panjshir. They just came
    back from Afghanistan. They recorded with all these traditional Afghani
    musicians. Those guys had to bury their instruments during the Taliban.

    Jon: They are all traditional instruments. One of which is the last person to
    play that instrument in the world. We are interested in many different types
    of music.

    Hecuba

    Photos: Lauren Dukoff

    AL: Do start writing songs with beats or with melodies and lyrics?

    Isabelle: We have started out with cats purring before. It’s different every
    time. We are beat based. We usually start there.

    Jon: I focus on beats and Isabelle focuses on lyrics. That is what we do more
    of. We come to each other with ideas in different ways. We have so many
    influences that aren’t really musical ones. We are influenced by painters. We have
    this background that isn’t so much music.

    Isabelle: Sometimes I go on a walk and come back and say “I have this hook.”
    Jon will start doing the beat box. That is how it works.

    AL: In the art world, there are all these artists who have done music and
    performance like Yoko Ono and Robert Rauschenberg.

    Isabelle: Kippenberger is our guy! We have a picture of his face that I am
    staring at right now. He has a huge bandage on his head.

    AL: If you play in art galleries, maybe people will get your music more. But
    people who only know conventional bands, might have a hard time with Hecuba.

    Isabelle: Our goal is to make pop music. We want to make music that everyone
    likes. It doesn’t always come out that way but that is what we are striving
    for.

    AL: Are you going to work with some slick producer?

    Jon: I am trying to be that person myself. If we are making music that
    exciting to the ear or makes your feel good? If you can answer “Yes” to both of
    those questions then we are on the right track.

    AL: How many songs get vetoed?

    Isabelle: Maybe 95%.

    Jon: We have an 80% cut rate.

    AL: Some people look at Devendra Banhart and automatically think he’s
    obsessed with the 1960s. But you get to know him and his music, and you find out he
    likes all music from all periods.

    Isabelle: People talk about all this other stuff like his hair and crap. But
    Devendra is an amazing songwriter. He writes great songs. That is what we want
    to do. We are not a retro band either.

    Jon: We are not working from a negative impulse either. We want to make music
    that is new to our ears. We want to make music that is exciting. We want
    people to go “What is that? I have never heard that.” That is what we are looking
    for.

    Isabelle: We have these friends Lucky Dragons. You go to the show and you
    don’t know what happened. You just know that your whole body has opened up. That
    is inspiring.

    AL: Some people want to brings this whole history to music. Whereas it’s just
    better to leave all that stuff behind and just be open to this new
    experience.

    Jon: Absolutely. This EP we just finished has a techno song, a 1950s doo-wop s
    ong. It’s not an exercise in genres. I feel that in music you can jump around
    to any style as long as it’s exciting.

    Isabelle: When we are making a song, it definitely sounds like Hecuba. It
    should stand alone. I understand why people are like that. Music is based on
    memory. When you hear something it touches your heart.

    AL: Are there any other artists or books that you like?

    Jon: I like Pierre Huyghe. I don’t think it’s an influence on the music but
    I like him.

    Isabelle: I like the book The Story of The Eye by Georges Bataille. I like
    Jeff Koons. I like Michael Jackson. I like Mickey Mouse and Walt Disney.

    AL: Did you get the 25th anniversary edition of Thriller?

    Jon: Yeah. It has all these great vocal takes.

    AL: What is going on with Lita Albuquerque? When I was in high school and
    college she had shows like every month. What is she up to?

    Isabelle: She is doing some wild shit. She just went to the North Pole and
    Antarctica. She does these big earthworks. You can see stuff online
    (stellaraxis.com). I spent most of my childhood traveling all over the world putting up
    those pieces.

    AL: What other bands do you like?

    Isabelle: We like Lion of Panjshir, Lucky Dragons, Vuk, Santagold, and oldies
    like Roberta Flack, Donny Hathoway, and Charles Ives.

    Website: www.myspace.com/hecubahecuba
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    2/03/2008

    Health @ El Rey

    health

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    2/02/2008

    Autolux @ El Rey

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    Autolux Greg

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    Autolux halo


    All photos by Alexander Laurence
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